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Ruthie, 08-20-08
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1502GDD, 08-20-08
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looming sales of The Stone Church and the Mill Pond Center underscore performing arts venues’ struggle to stay afloat
In
the four years since he helped reopen The Stone Church, partner John
Pasquale has seen some memorable shows at the Newmarket venue. Among
his favorites were recent concerts by Richie Havens and David Grisman,
as well as earlier shows by Loudon Wainwright and Hot Tuna. But
Pasquale’s fondest memories have occurred backstage, where he has spent
time with some of his favorite musicians.
“Those are some of the better memories, hanging out in the
kitchen with (singer-songwriter) Kathleen Edwards and talking about
chicken soup, or making Bloody Marys with (keyboardist) Marco
Benevento.”
Unless Pasquale and others can come up with a last-minute
solution to rescue the Church, it will be up for auction on Friday,
Sept. 12. Despite a knack for drawing a balance of local acts,
nationally known legends and below-the-radar touring bands, The Stone
Church has struggled mightily to cover its overhead expenses. When
Pasquale, Paul Nessel and Peter Hamelin reopened the historic venue in
August 2004, they poured $400,000 into extensive building renovations
and equipment improvements. Recovering that investment has proved
difficult.
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Portsmouth adds electric truck to city fleet
Portsmouth has begun using its first zero-gasoline truck, an
electric vehicle that replaces an outdated parking enforcement van as
part of the city’s commitment to reduce greenhouse gas emissions.
The Miles ZX40ST Work Truck requires no gasoline, has an
estimated range of 50 miles and operates at a maximum speed of 25 mph.
Charging the vehicle from 50 percent battery capacity takes
approximately four hours from a 110-volt receptacle. The vehicle is
also equipped with a regenerative braking system to recharge batteries
while the vehicle is in use.
Parking manager Jon Frederick said the city began using the
“very quiet” truck on Monday. He said he expects to see more of the
city’s vehicles converted to environmentally friendly ones when they
need to be replaced like the 20-year-old former van. “As gas prices go
up, it kind of forces our hand to look that way,” he said.
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Randy Armstrong releases comprehensive Do’a box set
When
guitarist Randy Armstrong first met flutist Ken LaRoche in 1974,
Armstrong was studying North Indian music on sitar. A classically
trained player, LaRoche was already versed in the bansuri flute of
India. This shared penchant for Indian artistry helped set the pair on
a musical sojourn that would explore sounds and instruments from just
about every region of the world.
“It became this undying thirst to reach out and find out what was
available musically,” Armstrong said. “I don’t have enough days in my
life to explore all the possibilities.”
LaRoche passed away in January 2006, but the music he and
Armstrong recorded together as members of world fusion group Do’a live
on in “Legacy,” a new five-disc box set of the band’s complete
remastered works.
The collaboration between Armstrong and LaRoche lasted for 17
years, concluding with a concert at Harvard University in 1991. During
that span, Do’a recorded five albums and played concerts all over the
nation and world, helping to pioneer an all-encompassing style that has
come to be known as world fusion. A sampling of the music’s influences
range from American folk and jazz to traditional African, Indian,
Tibetan, Andean, Native American and Middle Eastern music.
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Rain has dampened activities at the Prescott Park Arts Festival this
summer. According to organizers, the previous record for rained-out
events in a single season was nine. This year, there have been a total
of 18 rainouts.
“As an outdoor music festival, we’re really at the mercy of the
weather,” festival director Ben Anderson said in a press release. “And
while we prepare for rain, this summer was beyond anything like we’ve
experienced before.”
But the weather has turned mostly pleasant in the waning days of
summer, and Anderson has responded by booking one last show. The Shaw
Brothers are playing a special benefit concert on Wednesday, Aug. 27,
to close out the 34th annual festival. Like all summer shows at
Prescott Park, the concert is free, with a suggested donation of $5 to
$8.
Anderson said an Aug. 20 performance by singer-songwriter
Livingston Taylor broke festival attendance records, drawing an
estimated 6,000 people to Portsmouth’s waterfront park. He hopes the
Shaw Brothers carry that momentum on Wednesday and help the festival
recover from its soggy season.
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The Honors release debut EP
Formed in January, The
Honors is off to a hot start. Already, the Boston-based indie rock band
has opened for Blues Traveler at the Alive at Five Music Festival in
Connecticut and performed at the Newport Folk Festival in Rhode Island.
With the release of its debut EP, the band now has added an original
recording to its resumé.
Although formed in Boston, The Honors has strong connections to
the Seacoast music scene. Among the four-piece band’s members are
drummer Jay Trikakis and bassist Roland Nicol, both of Portsmouth-based
hip-hop ensemble The Press Project and other local groups. Trikakis, a
Massachusetts native, met vocalist/guitarist Brandon Heisler in 2003
while both were studying at Regent’s College in London.
“We were introduced by a mutual friend who suggested we have a
jam session,” Trikakis said in an email. “There was a jam spot at the
college where students would play until the wee hours of the
morning—you weren’t allowed to play during the day—and Brandon and I
hit it off immediately.”
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rated R
One can imagine the meeting in which
three-time Academy Award nominee Joan Allen was confronted with the
opportunity to star in a new film by Paul Anderson. She might have
thought back to last year’s Oscar landslide and said, “Oooh, ‘There
Will Be Blood’?” To which the producers of “Death Race” on the other
side of the table would surely have exchanged a furtive glance and
replied, quite truthfully, “Oh yes, yes. There will be blood.” One can
also imagine Joan’s embarrassed chagrin when she realized after signing
the papers that there are two Paul Andersons at work in Hollywood.
There’s Paul T. Anderson, who directed last year’s Best Picture, “There
Will Be Blood,” as well as “Magnolia” and “Boogie Nights” before that.
And then there’s that other one, Paul W.S. Anderson, the half-assed
helmer of videogame schlockstrosities like “Mortal Kombat,” “Resident
Evil” and (shudder) “Alien vs. Predator.” Sorry, Joan. The papers are
signed.
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New World Pictures, 1988
starring: Treat Williams, Joe Piscopo, Darren McGavin and Lindsay Frost
directed by: Mark Goldblatt
the plot: Cops Roger
Mortis (Williams) and Doug Bigelow (Piscopo) are assigned to crack a
series of jewelry store heists, but their case takes an unexpected turn
when a pair of thieves engages in a violent shoot-out with police. No
matter how many times the robbers are shot, they won’t go down—that is,
until Mortis and Bigelow make creative use of their lieutenant’s car.
An autopsy later reveals that the crooks were dead even before they
were riddled with bullets, a fact that neither Mortis, Bigelow, nor Dr.
McNab (McGavin), the county coroner, can believe. A series of clues
leads the cops to the Dante Pharmaceuticals company, where they meet
Randi James (Frost), the company’s sassy public relations
representative. She denies that the company is involved in any bizarre
re-animation experiments, but the truth comes out when Bigelow stumbles
into a secret laboratory and is attacked by a mutated biker zombie.
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a new generation of superheroes makes its debut in “Who Can Save Us Now?”
Look! Up in the trees—it’s a cat! No, it’s a ferret! Wait a minute—is that a meerkat?
OK, it’s not the most heroic of introductions, and you’re
unlikely to find it in a comic book or movie anytime soon, but it’s
perfectly fitting for the heroes introduced in “Who Can Save Us Now?,”
a new anthology of superhero origin stories edited by Owen King and
John McNally. The book has super teams like The Quick Stop 5, a quintet
of convenience store employees with powers based on items in the store,
from a guy with a body made of beef jerky to a woman who can shoot
streams of blue raspberry slushie from her hands and feet. It also has
weird heroes like The Silverfish (he’s, uh, a silverfish, and likes to
eat glue when not fighting crime) and Manna Man (who can force
television evangelists to do his bidding). The super folks in “Who Can
Save Us Now?” provide a wry look at what life with fantastic powers
might actually be like.
King’s own contribution to the book is “The Meerkat,” the story
of how Wade Hanes went to Africa with his girlfriend and came back
imbued with the powers of a meerkat. Wade, of course, isn’t your
typical hero—he’s more neurotic than Peter Parker and Woody Allen
combined, and his powers—digging burrows, communing with squirrels,
chomping off evil-doers noses—aren’t as sexy as super strength and
invisibility (though they are a bit more useful than having a beef
jerky body).
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In response to the rising cost of groceries, Seacoast farmers are
helping residents of Cross Roads House to servings of healthy, fresh,
locally grown food in New Hampshire’s largest emergency and
transitional shelter.
Each Saturday at the Portsmouth Farmers’ Market, volunteers from
several area organizations gather food donations from farmers who have
enough to share. Visitors to the market can assist the effort and
increase the amount of fresh vegetables being delivered each week by
making donations of food themselves.
The practice of “gleaning” makes use of fresh produce that
farmers and growers have in excess one week, but would probably not
remain fresh for the next week’s market. Rather than seeing the food go
to waste, it is used while still at the height of quality, helping to
relieve the food budget of a local nonprofit.
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artisan marketplace available
A retail shop at 503 Central Ave. in the heart of downtown Dover is transforming itself into an artisan marketplace.
Cynthia
Ouellette, owner of Cynthia Designs Studio, is offering four retail
spaces inside her store to established local artisans and craftspeople
who are interested in testing the retail waters and looking to build
brand recognition.
Ouellette already offers her own
hand-crafted clothing line and interior design items at the shop, where
she works daily at the sewing machine in the front of the store. The
open space inside invites a more bustling atmosphere, she said. When
the spaces fill up, “it will become a destination spot.”
Spaces
measure about seven by six feet and rent for $100 to $175 per month,
plus 10 percent of sales to cover administrative fees. Full vendor
guidelines are online at www.cynthiadesignsonline.net.
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‘My Fair Lady’ at the Ogunquit Playhouse
Like many good
stories, “My Fair Lady” begins with a bet. Linguistics professor Henry
Higgins bets his colleague, Colonel Pickering, that his speech lessons
can turn a poor Londoner into a real lady.
After months of relentless work, they almost give up before
Eliza Doolittle learns to pronounce words the way Higgins has taught
her. The celebratory dance around the study leaves her wanting more.
Eliza Doolittle becomes an elegant lady with the memorable song,
“I Could Have Danced All Night.” As played by Gail Bennett at the
Ogunquit Playhouse, her vocal range is vast, from the casual way the
song is introduced to the formal way she pronounces the “A” in danced,
like in the word “dawn.” The song finishes with a flourish at front and
center stage, and the audience begins to applaud well before she
finishes the last long, high note.
It is this song that guests at the Ogunquit Playhouse whistle
and sing under the stars of the gazebo courtyard during the
intermission between the play’s two acts. “My Fair Lady” runs through
Sept. 6, with the support of an American Masterpiece Grant from the
Maine Arts Commission.
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It’s been an uphill battle for New Hampshire’s piping plovers, but a
handful of newborn chicks on the Seacoast have given officials reason
to hope that the endangered birds are rebounding. Six fledgling plovers
survived this summer in Hampton and Seabrook.
Piping plovers are federally threatened and are classified as
endangered in New Hampshire. Authorities have been working to protect
the species along the Atlantic Coast from South Carolina to
Newfoundland, Canada. New Hampshire Fish and Game’s Nongame and
Endangered Wildlife Program has been monitoring plover nests in the
Seacoast since 1996.
Fish and Game monitor Samantha Niziolek confirmed that three
chicks recently fledged from Seabrook Beach. Another three chicks
fledged from Hampton Beach State Park at the end of June. Four chicks
hatched at each location, but two of them died. Another nest
established at Seabrook Beach this year failed before hatching.
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Iron Butt Rally

'Home is Heaven: 32 Poems by Ogden Nash'
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